The limiter is great to tame instruments that are mixed super hot too. These settings give a nice analog sound with sufficient detail brought up through the limiter that you can listen to your music at a moderate volume and still hear good detail. I like to keep the room simulation bypassed (it's good for headphones though), put a gentle dip at 3.5kHz on the valve equalizer, bypass bass compression, about -10dB on the tube limiter, and some light tube saturation starting at about 5kHz. Although it is not a free plugin, it is worth the cost if you are looking for something to use long term, which has a pleasingly warm sound and a lot of adjustable settings. It has a pretty interface which matches up nicely with the MusicBee 'Dark' skin. Quote from: gloveofpower on October 18, 2010, 06:20:48 PM There is a DSP called izotope ozone made for winamp which is meant to emulate classic tube mastering equipment that is quite good. A good compressor/limiter can remedy that. Like most Miles Davis records-his playing has so much dynamic range that unless you turn it up loud, you just don't hear everything in the quieter parts of his phrases. There is a DSP called izotope ozone made for winamp which is meant to emulate classic tube mastering equipment that is quite good. However, for my everyday listening, I wanted something that would be a bit more stable (ie a DSP meant to interact with a playback program like MusicBee, rather than a VST, linked through some bridging DSP which is one too many layers of complexity for me). It's a VST that is quite powerful, and is meant to simulate tube rack-mount equipment. I like to use a program called T-Racks for my audio mastering when I produce. I tried EQing, and messing with the settings for a long time, but just couldn't produce anything that sounded good to my ears. It seemed like it made everything sound more digital, and any 'bad' sounds inherent to the mp3/digital compression were emphasized. I tried out the stereotool one mentioned above in this thread, and thought that having as many options as it offers is awesome and a multi-band compressor is an excellent thing to have, but somehow, I felt that the quality of the sound was not to my liking. Select the plugin that you want to start, and click the OK button.I've been looking for a compressor/limiter to use with my music which has a lot of adjustments available and sounds warm. All detected Winamp plugins should appear on the list. After installing the plugins, check the Winamp plug-ins check box on the Plugins tab. Open the plugin installation folder (usually “C:\Program files\Winamp\Plugins”) and copy the plugin-related files from there to RadioBOSS’s Winamp plugins folder (“ \Plugins”).ģ. To install a WinAmp plugin, follow these steps:Ģ. To turn DSP effects on/off, check/uncheck them in the list. The plugin will be added to the DSP chain: To open the folder containing Winamp DSP plugins for RadioBOSS, click “ Plugin folders.” If you click the “+” button, all available DSP effects will be shown:Ĭheck the Winamp DSP plug-ins and/or VST plug-ins check boxes if you want to use these plugins. To move DSP up/down, use the up-arrow/down-arrow button. To change DSP parameters, use the configuration button. To open the DSP manager, select the FX tab on the control panel: RadioBOSS lets you use VST and WinAmp DSP plugins (dsp_*.dll), except ones that change the speed of a stream.
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